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Young Star

Dandy does it

- Miguel Paolo Celestial -

The devil in menswear lies in hidden sartorial details or hides its head in unobtrusive style statements. From the length of a cuff and the fold of trouser hems to the shoulder peak of jackets and intended shirt creases, there is no exhausting the devices with which to show one’s individuality. There is also the choice of jewelry, shoes and belts, the types of patterns and prints, shirts, trousers and headgear.

Having a careful eye for small things does not mean a man is vain or foppish, or even snobbish. All it says is that he knows how to tend to himself, and has more or less mastered the things that suit him.

Men can be the most incorrigible when it comes to burrowing out of their habits, one of which is the adherence to the notion that for one to stand out, one must first blend in. It seems we can only be slowly nudged out of it, carefully be convinced that there is so much difference between Tom, Dick and Harry, and they can show it even if all three remain faithful to their beloved pinstripes and khaki.

The key to possessing one’s own personality is to grow into it. For style, there is a continuous progression, where each fashion choice builds to refine personal taste, so that there is nothing awkward or fake about it.

The truly stylish man — let us call him the dandy — is not driven to be different just for its own sake. He knows he is and can’t help but express it. He won’t roll up his pants just because it’s the fad; he wears it as his own discovery. He adapts to what fits him, even if it means bending or totally breaking rules. He traces and retraces trends, goes back and forward. He never refrains from the joy of role-playing. The dandy moves outside conventions. There is no spilled wine to his experimentation.

There is no pop star residing in him, who yearns for makeovers every season. He stays relevant by listening to himself and how his personality changes.

The dandy, like all men, takes with him things along the way, items or style devices, like souvenirs from adventures he owns because he worked for them, trekked earth and climbed mountain ranges in the journey to self-knowledge.

He has learned to capture through dressing his different moods, the fall of a facial expression, his changing shadows — all imperceptible, yet definitely present.

Men seem to be such incomprehensible animals, but there are always hints to personality and identity. To the attuned, attire is always telling.

What does a gold vintage automatic watch say? Studded belts and torn jeans? Fabric suspenders with leather belts? Fedoras and metal beads?

These days, snuff, linen and lace are no longer necessary to show sophistication and taste. You don’t have to be a baron or hail from royalty. You don’t even have to be Ernest Hemingway or Oscar Wilde, Johnny Depp or Gaspard Ulliel, Fred Astaire or Gene Kelly; not even The Aviator or The Talented Mr. Ripley to show any personality. Sometimes one item is all it takes: a trinket, a souvenir, something that holds a memory or captures your individuality. This and inimitable confidence: the uncanny mix.

* * *

View the original lookbooks these outfits were based on at the author’s blog, lbosquejo. blogspot.com. E-mail him at miguel-paolocelesti-al@gmail.com.

 

DICK AND HARRY

ERNEST HEMINGWAY

META

MICROSOFT WORD

MSO

STYLE DEFINITIONS

TEXT

TIMES NEW ROMAN

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