The hat parade
May 19, 2006 | 12:00am
Since its inception in 2004, Store for All Seasons has transcended its function as a commercial realm and become a showcase for all kinds of designers, a gallery for upcoming artists, and a performance space for some of the most exciting young bands in the local music scene. Owned and operated by designers Cecile van Straten of STAR and Mich Dulce, the cozy store on Shaw Boulevard also hosts garage sales, swap meets and other community-oriented events. While the store specializes in limited or one-of-a-kind items, its also earned the distinction of being the home base of perhaps the only young milliner in the country.
Some of the first items youll notice upon entering Store for All Seasons are the fetching hats made by Mich Dulce. Perched upon two large and rather disarming vintage dolls heads that she bought in a Parisian flea market, only a few pieces are on display at a time, since Mich usually makes hats to order. Because of the physically demanding and time-consuming process involved, the hats are not mass-produced its evident that each piece is constructed with great care and attention to detail. Prices range from P650 for simple corner hats to P5,000 for those made with more luxe materials, and customers can choose the style, fabric and color when ordering hats. "Most of the hats I make are molded or flat," Mich says. "I make them on blocks and I alter them to fit the head."
Since completing a short course in millinery at Central Saint Martins in London last November, Mich has crafted her distinctive headpieces for a clients "hat wedding" in Baguio, a Theater Arts play, and Inno Sottos "Beloved" couture show, aside from custom-made items for her fashion-forward clients everyday use.
Mich wants to change the perception of hats as purely functional pieces. "The stereotype is that a hat has to be big with a brim, but its not true," she explains. "You can have little hats, like accessory hats, that arent just for protection." While most of us have donned a big ugly sun bonnet when SPF just wouldnt do enough, Michs hats seem to work especially well during special occasions, as striking, bold accessories that pull together a look and draw attention to the face. She herself can be spotted in black tulle veil-like hats tied around the chin and jaunty army caps perched on the corner of her head.
There are so many hat idioms out there that its hard to believe we dont wear these neglected accessories more often. We wear many hats when we have several occupations or roles to play. We make quick decisions at the drop of a hat. We keep secrets under our hats. Something we do all the time becomes old hat. We take our hats off to those who impress us. We put on our thinking caps when we need to make an important decision. (Note: the origin of this phrase was supposedly the black hats judges donned to decide whether prisoners should die.)
Modern-day thinking caps come in all shapes and sizes. Many creative types wear hats to take them out of their element. One young professional admits that when she starts feeling the pressure of her advertising job, she tells herself "Wear the hat" and puts on a felt Mickey Mouse cap to relieve stress. For more than a few writers, wearing a hat while working is a vital part of their writing ritual.
These seemingly unusual uses for hats are a testament to the transformative powers of headgear. Whether you choose a military, pillbox, or floppy style, wearing one of Mich Dulces hats will definitely get you noticed. Since the market for decorative headpieces is, at the moment, not very big, you can rest assured that no one else will be wearing the same hat. Heads will turn and youll probably be referred to as "the one in that hat" when people are pointing at you (with envy!) as you walk by. This leaves little room for self-consciousness, but as many a hat lover can attest, the effects of the perfect hat can be intoxicating. At the moment, only a brave few are comfortable with the attention they attract when accessorizing with these sculptural, almost theatrical headpieces.
This wasnt always the case. As Christian Dior, the designer who started his fashion career selling sketches of hats, once declared, "Without hats, we would have no civilization." Cecile Van Straten recalls, "In the 80s we wore hats all the time. And in the 40s we wore hats every day." She predicts a resurgence of the trend once people start looking to a more formal era for sartorial inspiration.
But Mich says that even when she was studying in London last year, she didnt see too many people donning hats. "Thats why everyone is saying millinery is like a dying art. So I dont think anyone else does millinery in this country." With the increase in demand for her headpieces as elaborate styling props for runways, fashion editorials and theater stages, shes found a niche thats completely her own. Now that shes making well-constructed custom-made headpieces available (and affordable) locally, her felt and buckram concoctions are slowly inching their way to the mainstream.
Mich hopes that people will eventually incorporate her "little hats" in their daily wardrobes. Right now shes working on constructing and shooting samples for a catalog of hat styles clients can peruse at Store for All Seasons. Dont expect anything too outrageous, though Mich emphasizes the wearability of her pieces. "Im not into beading and feathering," she discloses. Her work dispels the common notion that hats have to be huge and obnoxious to make a statement. "Even a headpiece is a hat," she says. "Were trying to spark the trend again, to get people to wear hats on a day-to-day basis by starting small, with something discreet." Considering the formal hats loaded history as a requirement that represented social standing (among other things), its about time for it to become just another habitual, playful element of individual expression.
Store for All Seasons is located at 605 Shaw Blvd., Mandaluyong City (Greenhills side). Tel. 717-0884. Store hours are Monday to Saturday from 11 a.m.-8 p.m. and Sunday from 1-6 p.m.
Some of the first items youll notice upon entering Store for All Seasons are the fetching hats made by Mich Dulce. Perched upon two large and rather disarming vintage dolls heads that she bought in a Parisian flea market, only a few pieces are on display at a time, since Mich usually makes hats to order. Because of the physically demanding and time-consuming process involved, the hats are not mass-produced its evident that each piece is constructed with great care and attention to detail. Prices range from P650 for simple corner hats to P5,000 for those made with more luxe materials, and customers can choose the style, fabric and color when ordering hats. "Most of the hats I make are molded or flat," Mich says. "I make them on blocks and I alter them to fit the head."
Since completing a short course in millinery at Central Saint Martins in London last November, Mich has crafted her distinctive headpieces for a clients "hat wedding" in Baguio, a Theater Arts play, and Inno Sottos "Beloved" couture show, aside from custom-made items for her fashion-forward clients everyday use.
Mich wants to change the perception of hats as purely functional pieces. "The stereotype is that a hat has to be big with a brim, but its not true," she explains. "You can have little hats, like accessory hats, that arent just for protection." While most of us have donned a big ugly sun bonnet when SPF just wouldnt do enough, Michs hats seem to work especially well during special occasions, as striking, bold accessories that pull together a look and draw attention to the face. She herself can be spotted in black tulle veil-like hats tied around the chin and jaunty army caps perched on the corner of her head.
There are so many hat idioms out there that its hard to believe we dont wear these neglected accessories more often. We wear many hats when we have several occupations or roles to play. We make quick decisions at the drop of a hat. We keep secrets under our hats. Something we do all the time becomes old hat. We take our hats off to those who impress us. We put on our thinking caps when we need to make an important decision. (Note: the origin of this phrase was supposedly the black hats judges donned to decide whether prisoners should die.)
Modern-day thinking caps come in all shapes and sizes. Many creative types wear hats to take them out of their element. One young professional admits that when she starts feeling the pressure of her advertising job, she tells herself "Wear the hat" and puts on a felt Mickey Mouse cap to relieve stress. For more than a few writers, wearing a hat while working is a vital part of their writing ritual.
These seemingly unusual uses for hats are a testament to the transformative powers of headgear. Whether you choose a military, pillbox, or floppy style, wearing one of Mich Dulces hats will definitely get you noticed. Since the market for decorative headpieces is, at the moment, not very big, you can rest assured that no one else will be wearing the same hat. Heads will turn and youll probably be referred to as "the one in that hat" when people are pointing at you (with envy!) as you walk by. This leaves little room for self-consciousness, but as many a hat lover can attest, the effects of the perfect hat can be intoxicating. At the moment, only a brave few are comfortable with the attention they attract when accessorizing with these sculptural, almost theatrical headpieces.
This wasnt always the case. As Christian Dior, the designer who started his fashion career selling sketches of hats, once declared, "Without hats, we would have no civilization." Cecile Van Straten recalls, "In the 80s we wore hats all the time. And in the 40s we wore hats every day." She predicts a resurgence of the trend once people start looking to a more formal era for sartorial inspiration.
But Mich says that even when she was studying in London last year, she didnt see too many people donning hats. "Thats why everyone is saying millinery is like a dying art. So I dont think anyone else does millinery in this country." With the increase in demand for her headpieces as elaborate styling props for runways, fashion editorials and theater stages, shes found a niche thats completely her own. Now that shes making well-constructed custom-made headpieces available (and affordable) locally, her felt and buckram concoctions are slowly inching their way to the mainstream.
Mich hopes that people will eventually incorporate her "little hats" in their daily wardrobes. Right now shes working on constructing and shooting samples for a catalog of hat styles clients can peruse at Store for All Seasons. Dont expect anything too outrageous, though Mich emphasizes the wearability of her pieces. "Im not into beading and feathering," she discloses. Her work dispels the common notion that hats have to be huge and obnoxious to make a statement. "Even a headpiece is a hat," she says. "Were trying to spark the trend again, to get people to wear hats on a day-to-day basis by starting small, with something discreet." Considering the formal hats loaded history as a requirement that represented social standing (among other things), its about time for it to become just another habitual, playful element of individual expression.
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