^
+ Follow Walang Sugat Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1678380
                    [Title] => Walang Sugat: From stage to screen
                    [Summary] => The nationalistic sarswela Walang Sugat by Severino Reyes was first staged on June 14, 1902 at the Teatro Libertad in Manila. It was revived in 1970 at the Cultural Center of the Philippines with additional music by Miguel Velarde under the direction of Daisy H. Avellana and starred in by Constantino Bernardez and Ruby Jose-Salazar.
                    [DatePublished] => 2017-03-12 00:00:00
                    [ColumnID] => 135392
                    [Focus] => 1
                    [AuthorID] => 1247126
                    [AuthorName] => Danny Dolor
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 863305
                    [Title] => Anthropology as theater: F. Landa Jocano’s ‘Hinilawod’
                    [Summary] => 

What is sad about this charming staging of a tribal epic as recorded by Felipe Landa Jocano, the country’s foremost cultural anthropologist, is its very short run at the Cultural Center recently.

[DatePublished] => 2012-11-05 00:00:00 [ColumnID] => 134336 [Focus] => 0 [AuthorID] => 1096907 [AuthorName] => F. Sionil Jose [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => http://imageshack.us/a/img641/8905/lif8newthumb.jpg ) [2] => Array ( [ArticleID] => 832390 [Title] => Chasing Carlitos [Summary] =>

Like many contemporary Filipino film directors, Carlitos Siguion Reyna is an enigma. On the day of the interview he is nowhere to be found in his residence on Cambridge Street, North Forbes, having been just called to an impromptu script breakdown across Edsa in nearby Urdaneta Village at his lead star, Cris Villonco’s, place on Farola Street, where the entire cast is brainstorming for “Walang Sugat,” the zarzuela that opens Tanghalang Pilipino’s calendar year in August.

[DatePublished] => 2012-07-29 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => http://imageshack.us/a/img824/8896/wik1thumb.jpg ) [3] => Array ( [ArticleID] => 551400 [Title] => Tanghalang Ateneo stages 'Walang Sugat' [Summary] =>

Although playwright Severino Reyes’ and composer Fulgencio Tolentino’s Walang Sugat was first staged more than a century ago in 1902, its notion of love has stood the test of time, ringing true even to today’s audiences.

[DatePublished] => 2010-02-22 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [4] => Array ( [ArticleID] => 550351 [Title] => 'Walang Sugat' brought to life for Ateneo's 150th year [Summary] =>

This February, love blossoms in the midst of war in the Ateneo de Manila University’s production of Walang Sugat, a sarsuwela by Severino Reyes and Fulgencio Tolentino.

[DatePublished] => 2010-02-18 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Newsmakers [SectionUrl] => newsmakers [URL] => ) [5] => Array ( [ArticleID] => 438211 [Title] => 'Walang Sugat' at UP Theater [Summary] =>

Gawad CCP Para sa Sining awardee Barasoain Kalinangan Foundation Inc. brings to life Severino Reyes’ and Fulgencio Tolentino’s Walang Sugat (Not Wounded) from Feb. 11 to 13, 6 p.m. at the UP University Theater.

[DatePublished] => 2009-02-09 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [6] => Array ( [ArticleID] => 191572 [Title] => Phil-Austrian concert [Summary] => Never has this reviewer heard the "Laughing Song" from the Die Fledermaus rendered with more panache than when Rachelle Gerodias sang it at last week’s Phil-Austrian concert in the CCP auditorium under the baton of Austrian guest conductor Ernest Hoetzl.
[DatePublished] => 2003-01-15 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
Walang Sugat
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1678380
                    [Title] => Walang Sugat: From stage to screen
                    [Summary] => The nationalistic sarswela Walang Sugat by Severino Reyes was first staged on June 14, 1902 at the Teatro Libertad in Manila. It was revived in 1970 at the Cultural Center of the Philippines with additional music by Miguel Velarde under the direction of Daisy H. Avellana and starred in by Constantino Bernardez and Ruby Jose-Salazar.
                    [DatePublished] => 2017-03-12 00:00:00
                    [ColumnID] => 135392
                    [Focus] => 1
                    [AuthorID] => 1247126
                    [AuthorName] => Danny Dolor
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 863305
                    [Title] => Anthropology as theater: F. Landa Jocano’s ‘Hinilawod’
                    [Summary] => 

What is sad about this charming staging of a tribal epic as recorded by Felipe Landa Jocano, the country’s foremost cultural anthropologist, is its very short run at the Cultural Center recently.

[DatePublished] => 2012-11-05 00:00:00 [ColumnID] => 134336 [Focus] => 0 [AuthorID] => 1096907 [AuthorName] => F. Sionil Jose [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => http://imageshack.us/a/img641/8905/lif8newthumb.jpg ) [2] => Array ( [ArticleID] => 832390 [Title] => Chasing Carlitos [Summary] =>

Like many contemporary Filipino film directors, Carlitos Siguion Reyna is an enigma. On the day of the interview he is nowhere to be found in his residence on Cambridge Street, North Forbes, having been just called to an impromptu script breakdown across Edsa in nearby Urdaneta Village at his lead star, Cris Villonco’s, place on Farola Street, where the entire cast is brainstorming for “Walang Sugat,” the zarzuela that opens Tanghalang Pilipino’s calendar year in August.

[DatePublished] => 2012-07-29 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => http://imageshack.us/a/img824/8896/wik1thumb.jpg ) [3] => Array ( [ArticleID] => 551400 [Title] => Tanghalang Ateneo stages 'Walang Sugat' [Summary] =>

Although playwright Severino Reyes’ and composer Fulgencio Tolentino’s Walang Sugat was first staged more than a century ago in 1902, its notion of love has stood the test of time, ringing true even to today’s audiences.

[DatePublished] => 2010-02-22 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [4] => Array ( [ArticleID] => 550351 [Title] => 'Walang Sugat' brought to life for Ateneo's 150th year [Summary] =>

This February, love blossoms in the midst of war in the Ateneo de Manila University’s production of Walang Sugat, a sarsuwela by Severino Reyes and Fulgencio Tolentino.

[DatePublished] => 2010-02-18 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Newsmakers [SectionUrl] => newsmakers [URL] => ) [5] => Array ( [ArticleID] => 438211 [Title] => 'Walang Sugat' at UP Theater [Summary] =>

Gawad CCP Para sa Sining awardee Barasoain Kalinangan Foundation Inc. brings to life Severino Reyes’ and Fulgencio Tolentino’s Walang Sugat (Not Wounded) from Feb. 11 to 13, 6 p.m. at the UP University Theater.

[DatePublished] => 2009-02-09 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [6] => Array ( [ArticleID] => 191572 [Title] => Phil-Austrian concert [Summary] => Never has this reviewer heard the "Laughing Song" from the Die Fledermaus rendered with more panache than when Rachelle Gerodias sang it at last week’s Phil-Austrian concert in the CCP auditorium under the baton of Austrian guest conductor Ernest Hoetzl.
[DatePublished] => 2003-01-15 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
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