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                    [Title] => From the diary of B. Balbacua
                    [Summary] => Each day he passes the Church of Our Lady of the Abandonados not once or twice but four times, a kilometer or two from Lambingan Bridge, half-dreaming that some former First Lady might be there kneeling on her way to the altar.


The historic church that houses the bones of soldiers and faceless victims of Manila’s liberation, still stands there like a mute witness to the daily ritual drive of B. Balbacua to and from Malate taking the kids across town to the old school, to and from work where the sidewalk carinderias harbor some secret potion.


                    [DatePublished] => 2001-07-02 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1431668
                    [AuthorName] => Juaniyo Arcellana
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
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SUPER GRANDMA

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                    [ArticleID] => 86110
                    [Title] => From the diary of B. Balbacua
                    [Summary] => Each day he passes the Church of Our Lady of the Abandonados not once or twice but four times, a kilometer or two from Lambingan Bridge, half-dreaming that some former First Lady might be there kneeling on her way to the altar.


The historic church that houses the bones of soldiers and faceless victims of Manila’s liberation, still stands there like a mute witness to the daily ritual drive of B. Balbacua to and from Malate taking the kids across town to the old school, to and from work where the sidewalk carinderias harbor some secret potion.


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                    [AuthorName] => Juaniyo Arcellana
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From the diary of B. Balbacua

By Juaniyo Arcellana | July 2, 2001 - 12:00am

Each day he passes the Church of Our Lady of the Abandonados not once or twice but four times, a kilometer or two from Lambingan Bridge, half-dreaming that some former First Lady might be there kneeling on her way...

Arts and Culture