^
+ Follow SID AND NANCY Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 517746
                    [Title] => A rom-com for the playlist generation
                    [Summary] => 

the success of Sundance Festival hits like Little Miss Sunshine and Juno, everybody’s looking for the next Easy-Bake indie hit: the usual ingredients include sassy or ironic dialogue, sassy or ironic characters, copious references to ‘80s music and TV, J.D. Salinger allusions, and a few heaping tablespoons of quirk.

[DatePublished] => 2009-10-28 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => For Men [SectionUrl] => for-men [URL] => ) [1] => Array ( [ArticleID] => 508487 [Title] => Going public [Summary] =>

It’s been the quandary of every generic narcissistic post-modern Facebooker: When do you go public when you’re in a relationship?

[DatePublished] => 2009-09-27 00:00:00 [ColumnID] => 133192 [Focus] => 0 [AuthorID] => 1804717 [AuthorName] => Celine Lopez [SectionName] => Gadgets [SectionUrl] => gadgets [URL] => ) [2] => Array ( [ArticleID] => 321329 [Title] => Biopics that rock [Summary] => This year’s Oscar race is shaping up as a battle between issue-oriented films – gay power (Brokeback Mountain) vs. the role of media (Good Night and Good Luck, Capote) vs. terrorism (Munich) vs. ethnic tension (Crash). Lost in the shuffle was the musical biography Walk the Line, which won lots of praise for its two stars, Joaquin Phoenix (playing singer Johnny Cash) and Reese Witherspoon (as singer June Carter), but no "Best Film" nod.
[DatePublished] => 2006-02-12 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) ) )
SID AND NANCY
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 517746
                    [Title] => A rom-com for the playlist generation
                    [Summary] => 

the success of Sundance Festival hits like Little Miss Sunshine and Juno, everybody’s looking for the next Easy-Bake indie hit: the usual ingredients include sassy or ironic dialogue, sassy or ironic characters, copious references to ‘80s music and TV, J.D. Salinger allusions, and a few heaping tablespoons of quirk.

[DatePublished] => 2009-10-28 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => For Men [SectionUrl] => for-men [URL] => ) [1] => Array ( [ArticleID] => 508487 [Title] => Going public [Summary] =>

It’s been the quandary of every generic narcissistic post-modern Facebooker: When do you go public when you’re in a relationship?

[DatePublished] => 2009-09-27 00:00:00 [ColumnID] => 133192 [Focus] => 0 [AuthorID] => 1804717 [AuthorName] => Celine Lopez [SectionName] => Gadgets [SectionUrl] => gadgets [URL] => ) [2] => Array ( [ArticleID] => 321329 [Title] => Biopics that rock [Summary] => This year’s Oscar race is shaping up as a battle between issue-oriented films – gay power (Brokeback Mountain) vs. the role of media (Good Night and Good Luck, Capote) vs. terrorism (Munich) vs. ethnic tension (Crash). Lost in the shuffle was the musical biography Walk the Line, which won lots of praise for its two stars, Joaquin Phoenix (playing singer Johnny Cash) and Reese Witherspoon (as singer June Carter), but no "Best Film" nod.
[DatePublished] => 2006-02-12 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) ) )
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