^
+ Follow SHADOWS OF BLACK AND WHITE Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 91745
                    [Title] => Quinn of beautiful memories
                    [Summary] => 

Even as his present preoccupation is the painter's paraphernalia, director Al Quinn has a roomful of memories on how he started in showbiz.

ent2He entered the movies in the time of Gerry de Leon, Efren Reyes and Josefino Cenizal, among others and commuting between the LVN and the Premiere studios.

Direk Al Quinn reminisces.

"I did a costume picture with Gerry de Leon, I also worked with Cirio Santiago and over at the Manila Grand Opera House, I met Lou Salvador Jr., who asked m [DatePublished] => 2000-05-25 00:00:00 [ColumnID] => 0 [Focus] => 1 [AuthorID] => 1201410 [AuthorName] => by Pablo A. Tariman [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )

SHADOWS OF BLACK AND WHITE
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 91745
                    [Title] => Quinn of beautiful memories
                    [Summary] => 

Even as his present preoccupation is the painter's paraphernalia, director Al Quinn has a roomful of memories on how he started in showbiz.

ent2He entered the movies in the time of Gerry de Leon, Efren Reyes and Josefino Cenizal, among others and commuting between the LVN and the Premiere studios.

Direk Al Quinn reminisces.

"I did a costume picture with Gerry de Leon, I also worked with Cirio Santiago and over at the Manila Grand Opera House, I met Lou Salvador Jr., who asked m [DatePublished] => 2000-05-25 00:00:00 [ColumnID] => 0 [Focus] => 1 [AuthorID] => 1201410 [AuthorName] => by Pablo A. Tariman [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )

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