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                    [Title] => Bonel Balingit, ini-export na rin !
                    [Summary] => Huwag kayong magtataka kung mababalitaan n’yo na ini-export sa US ang basketbolista at komedyanteng si Bonel Balingit. Katunayan, aalis ito sa Marso 3, para maglaro sa isang koponan ng mga Fil-Am sa Detroit. Dapat ay nung magsimula ang liga pa siya kinu-kontrata pero, hindi siya makaalis agad dahil nga may ginagawa siyang movie, yung katatapos lamang na maipalabas na  Hayop sa Porma, Hanep sa Ganda at bagong ipalalabas na Saksi Driver.


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                    [AuthorName] => Veronica R. Samio
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                    [Title] => Kayumanggi
                    [Summary] => The songs in the concert titled Kayumanggi were mostly religious in nature, yet they were not anything like  Bach Cantata, Handel’s Hallelujah, a Palestrina Mass, Mozart’s or Verdi’s Requiem. The structure’s, modes, methods, systems or means were often a complete departure from what had been handed down to us by the West through the Spaniards (informally) and by the Germans represented by Sr. Baptista Battig who introduced formal Western music education in the Philippines in 1908. 


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                    [Title] => Superb
                    [Summary] => With every detail meticulously thought out, the staging reflected elegant taste and professionalism. Backdrop curtains, costumes, even scores (!) hewed to the black-and-white color motif, thus conveying, in their over-all view, a stunning, dramatic impact.


But beyond the visual impression, there was, more importantly, the aural: the singing at the CCP Theater by the 39-member San Miguel Master Chorale of 11 sopranos, 10 altos, 9 tenors and 9 basses – the male and female voices striking a sensitive balance, each individual voice strikingly honed and disciplined.


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SAN MIGUEL MASTER CHORALE

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                    [Summary] => The songs in the concert titled Kayumanggi were mostly religious in nature, yet they were not anything like  Bach Cantata, Handel’s Hallelujah, a Palestrina Mass, Mozart’s or Verdi’s Requiem. The structure’s, modes, methods, systems or means were often a complete departure from what had been handed down to us by the West through the Spaniards (informally) and by the Germans represented by Sr. Baptista Battig who introduced formal Western music education in the Philippines in 1908. 


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But beyond the visual impression, there was, more importantly, the aural: the singing at the CCP Theater by the 39-member San Miguel Master Chorale of 11 sopranos, 10 altos, 9 tenors and 9 basses – the male and female voices striking a sensitive balance, each individual voice strikingly honed and disciplined.


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abtest

Bonel Balingit, ini-export na rin !

By Veronica R. Samio | February 13, 2005 - 12:00am

Huwag kayong magtataka kung mababalitaan n’yo na ini-export sa US ang basketbolista at komedyanteng si Bonel Balingit. Katunayan, aalis ito sa Marso 3, para maglaro sa isang koponan ng mga Fil-Am sa Detroit....

PSN Showbiz

Kayumanggi

By SUNDRY STROKES | March 20, 2004 - 12:00am

The songs in the concert titled Kayumanggi were mostly religious in nature, yet they were not anything like Bach Cantata, Handel’s Hallelujah, a Palestrina Mass, Mozart’s or Verdi’s Requiem. The structure’s,...

Opinion

Superb

By SUNDRY STROKES | September 4, 2002 - 12:00am

With every detail meticulously thought out, the staging reflected elegant taste and professionalism. Backdrop curtains, costumes, even scores (!) hewed to the black-and-white color motif, thus conveying, in their...

Opinion