Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1404442
                    [Title] => Tastemakers create living spaces at Pottery Barn & Pottery Barn Kids
                    [Summary] => 
Manila’s tastemakers gathered for the launch of the holiday collections of Pottery Barn and Pottery Barn Kids.

                    [DatePublished] => 2014-12-20 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 1370887
                    [Title] => Furnishing kid-friendly rooms
                    [Summary] => 
If you’ve got kids, decorating a home is not just a simple matter of putting together stylish, age-appropriate furniture and pretty accessories.

                    [DatePublished] => 2014-09-20 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1422176
                    [AuthorName] => Joy Angelica  Subido
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [2] => Array
                (
                    [ArticleID] => 1352732
                    [Title] => Fun, fresh looks for your home from Pottery Barn
                    [Summary] => 
In just one setting, you can spot right away the Pottery Barn aesthetic: casual, comfortable, layered and inclusive.

                    [DatePublished] => 2014-08-02 00:00:00
                    [ColumnID] => 133933
                    [Focus] => 0
                    [AuthorID] => 1761978
                    [AuthorName] => Tanya T. Lara
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [3] => Array
                (
                    [ArticleID] => 1301350
                    [Title] => Potter and son
                    [Summary] => 
“Learning pottery is like learning to ride a bike... Everyone falls off the first time,” says potter Joey De Castro as the clay I am working on at the wheel caves in. “It’s art,” his son, Jaime says, looking at the misshapen form.

                    [DatePublished] => 2014-03-16 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1096989
                    [AuthorName] =>  Ida Anita Q. del Mundo
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => http://imageshack.com/a/img19/9918/3ovl.jpg
                )

            [4] => Array
                (
                    [ArticleID] => 266789
                    [Title] => Calling the the pot art
                    [Summary] => What makes an artist?


Jon Lorenzo Pettyjohn, 54, who has been working with pottery for more than thirty years, readily admits that he doesn’t know. "Who’s to say?" he asks. "Would a painter who isn’t very good be more of an artist than, say, a very good potter or any other craftsman?"


                    [DatePublished] => 2004-11-07 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1669616
                    [AuthorName] => Raymz Maribojoc
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => 
                )

            [5] => Array
                (
                    [ArticleID] => 259515
                    [Title] => High on pot
                    [Summary] => My love for plants started when I was little. I grew up seeing my grandparents spending much of their free time tending their huge gardens in Mandaluyong, Batangas and Baguio  while my parents are ardent collectors of various ornamental plants and bonsai.


                    [DatePublished] => 2004-07-31 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1398876
                    [AuthorName] => Joey De Castro
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 252950
                    [Title] => Can women change history?
                    [Summary] => Sometime ago I made a graduate school report on the livelihood of Samal women. Little did I know that  years later I would become an advocate  of women’s rights because of my work with the DILG and assistant secretary Austere Panadero. My report was timely because it revealed  the women’s importance and the messages they reveal through pottery.


                    [DatePublished] => 2004-06-07 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1773484
                    [AuthorName] => Tingting Cojuangco
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [7] => Array
                (
                    [ArticleID] => 209311
                    [Title] => Addicted to Pot
                    [Summary] => Pot addicts – that’s how we call our fellow  pottery students at the Pettyjohn-Mendoza Pottery School in Greenbelt Makati. And that’s not far from the truth. There are times when we skip meals, play hookie, cut classes – generally, escape from what we are supposed to do just so we can do pottery. In fact it’s not unusual to see a guy wearing a barong who’s spinning a potter’s wheel during afternoon classes.


                    [DatePublished] => 2003-06-08 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1339425
                    [AuthorName] => Ging Pajaro
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [8] => Array
                (
                    [ArticleID] => 154075
                    [Title] => Jon Pettyjohn: Kin and kiln
                    [Summary] => The lanky Jon Pettyjohn sits up after crouching at the side opening of the kiln.  He takes one medium-sized, olive-shaped jar, shakes his head and sighs.  "Anagama is teasing us," he assays, "as it teaches us." Pettyjohn is referring to a special kiln that was built in his studio nearly a year ago. Having named it "Musang Gama" after the family of wild civets that live nearby the kiln site at the foothills of Mt.
                    [DatePublished] => 2002-03-16 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1124526
                    [AuthorName] => Ana P. Labrador
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [9] => Array
                (
                    [ArticleID] => 139048
                    [Title] => Potter Pettyjohn and the magic kiln
                    [Summary] => Potter Jon Pettyjohn is an artist who works with the elements of fire and clay. He is mad about pots. 


So much so, Jon with the help of potters from Japan, spent six weeks in his workshop in Pansol, Laguna, building a kiln. 


It is no ordinary kiln, it is an anagama. 


Anagama is the Japanese name for an ancient type of high temperature wood-burning furnace. These kilns originated in China and Korea as far back as 1,500 years ago and produced the first stoneware and porcelain pottery. 


                    [DatePublished] => 2001-11-05 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1303742
                    [AuthorName] => Elvira Mata
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

pottery

Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1404442
                    [Title] => Tastemakers create living spaces at Pottery Barn & Pottery Barn Kids
                    [Summary] => 
Manila’s tastemakers gathered for the launch of the holiday collections of Pottery Barn and Pottery Barn Kids.

                    [DatePublished] => 2014-12-20 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 1370887
                    [Title] => Furnishing kid-friendly rooms
                    [Summary] => 
If you’ve got kids, decorating a home is not just a simple matter of putting together stylish, age-appropriate furniture and pretty accessories.

                    [DatePublished] => 2014-09-20 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1422176
                    [AuthorName] => Joy Angelica  Subido
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [2] => Array
                (
                    [ArticleID] => 1352732
                    [Title] => Fun, fresh looks for your home from Pottery Barn
                    [Summary] => 
In just one setting, you can spot right away the Pottery Barn aesthetic: casual, comfortable, layered and inclusive.

                    [DatePublished] => 2014-08-02 00:00:00
                    [ColumnID] => 133933
                    [Focus] => 0
                    [AuthorID] => 1761978
                    [AuthorName] => Tanya T. Lara
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [3] => Array
                (
                    [ArticleID] => 1301350
                    [Title] => Potter and son
                    [Summary] => 
“Learning pottery is like learning to ride a bike... Everyone falls off the first time,” says potter Joey De Castro as the clay I am working on at the wheel caves in. “It’s art,” his son, Jaime says, looking at the misshapen form.

                    [DatePublished] => 2014-03-16 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1096989
                    [AuthorName] =>  Ida Anita Q. del Mundo
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => http://imageshack.com/a/img19/9918/3ovl.jpg
                )

            [4] => Array
                (
                    [ArticleID] => 266789
                    [Title] => Calling the the pot art
                    [Summary] => What makes an artist?


Jon Lorenzo Pettyjohn, 54, who has been working with pottery for more than thirty years, readily admits that he doesn’t know. "Who’s to say?" he asks. "Would a painter who isn’t very good be more of an artist than, say, a very good potter or any other craftsman?"


                    [DatePublished] => 2004-11-07 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1669616
                    [AuthorName] => Raymz Maribojoc
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => 
                )

            [5] => Array
                (
                    [ArticleID] => 259515
                    [Title] => High on pot
                    [Summary] => My love for plants started when I was little. I grew up seeing my grandparents spending much of their free time tending their huge gardens in Mandaluyong, Batangas and Baguio  while my parents are ardent collectors of various ornamental plants and bonsai.


                    [DatePublished] => 2004-07-31 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1398876
                    [AuthorName] => Joey De Castro
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 252950
                    [Title] => Can women change history?
                    [Summary] => Sometime ago I made a graduate school report on the livelihood of Samal women. Little did I know that  years later I would become an advocate  of women’s rights because of my work with the DILG and assistant secretary Austere Panadero. My report was timely because it revealed  the women’s importance and the messages they reveal through pottery.


                    [DatePublished] => 2004-06-07 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1773484
                    [AuthorName] => Tingting Cojuangco
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [7] => Array
                (
                    [ArticleID] => 209311
                    [Title] => Addicted to Pot
                    [Summary] => Pot addicts – that’s how we call our fellow  pottery students at the Pettyjohn-Mendoza Pottery School in Greenbelt Makati. And that’s not far from the truth. There are times when we skip meals, play hookie, cut classes – generally, escape from what we are supposed to do just so we can do pottery. In fact it’s not unusual to see a guy wearing a barong who’s spinning a potter’s wheel during afternoon classes.


                    [DatePublished] => 2003-06-08 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1339425
                    [AuthorName] => Ging Pajaro
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [8] => Array
                (
                    [ArticleID] => 154075
                    [Title] => Jon Pettyjohn: Kin and kiln
                    [Summary] => The lanky Jon Pettyjohn sits up after crouching at the side opening of the kiln.  He takes one medium-sized, olive-shaped jar, shakes his head and sighs.  "Anagama is teasing us," he assays, "as it teaches us." Pettyjohn is referring to a special kiln that was built in his studio nearly a year ago. Having named it "Musang Gama" after the family of wild civets that live nearby the kiln site at the foothills of Mt.
                    [DatePublished] => 2002-03-16 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1124526
                    [AuthorName] => Ana P. Labrador
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
                )

            [9] => Array
                (
                    [ArticleID] => 139048
                    [Title] => Potter Pettyjohn and the magic kiln
                    [Summary] => Potter Jon Pettyjohn is an artist who works with the elements of fire and clay. He is mad about pots. 


So much so, Jon with the help of potters from Japan, spent six weeks in his workshop in Pansol, Laguna, building a kiln. 


It is no ordinary kiln, it is an anagama. 


Anagama is the Japanese name for an ancient type of high temperature wood-burning furnace. These kilns originated in China and Korea as far back as 1,500 years ago and produced the first stoneware and porcelain pottery. 


                    [DatePublished] => 2001-11-05 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1303742
                    [AuthorName] => Elvira Mata
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

abtest