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                    [ArticleID] => 265301
                    [Title] => Guitarspeak with Pat Metheny
                    [Summary] => It’s ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique that’s anything but guitar-like.


From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Metheny’s horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.


                    [DatePublished] => 2004-09-26 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1773807
                    [AuthorName] => Tinnie P. Esguerra
                    [SectionName] => Entertainment
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ORNETTE COLEMAN

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                    [Title] => Guitarspeak with Pat Metheny
                    [Summary] => It’s ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique that’s anything but guitar-like.


From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Metheny’s horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.


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                    [ColumnID] => 133272
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                    [AuthorName] => Tinnie P. Esguerra
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Guitarspeak with Pat Metheny

By Tinnie P. Esguerra | September 26, 2004 - 12:00am

It’s ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique that’s anything but guitar-like. From duo settings with mentor and jazz...

Entertainment