^
+ Follow MORNING VIEW Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 242284
                    [Title] => Crows left of the mainstream
                    [Summary] => Aflashback: Almost two years ago, I interviewed Incubus guitarist Mike Einziger for PULP over the phone. The guys from Incubus were in Hobart, Australia, promoting the "Morning View" album, and Einziger was backstage, minutes before their Tasmanian gig. I couldn’t get past the fact that Mike was one easy-going, well-grounded fellow. Even if he was the guitarist behind those stellar, oft-kilter guitar parts in Incubus’ heavy funk numbers, spacey love songs and offbeat odes to spontaneous combustion.
                    [DatePublished] => 2004-03-12 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 241402
                    [Title] => Are you in?
                    [Summary] => Perhaps the most significant thing that ever happened to rock n’ roll in the ‘90s was the assimilation of the turntable into the traditional band setup of guitar, bass, drums and vocals. (Really, the keyboard has never been readily accepted by the rock mainstream although there was a glorious time in the ‘80s…)

[DatePublished] => 2004-03-05 00:00:00 [ColumnID] => 135989 [Focus] => 0 [AuthorID] => 1308998 [AuthorName] => Erwin T. Romulo [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
MORNING VIEW
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 242284
                    [Title] => Crows left of the mainstream
                    [Summary] => Aflashback: Almost two years ago, I interviewed Incubus guitarist Mike Einziger for PULP over the phone. The guys from Incubus were in Hobart, Australia, promoting the "Morning View" album, and Einziger was backstage, minutes before their Tasmanian gig. I couldn’t get past the fact that Mike was one easy-going, well-grounded fellow. Even if he was the guitarist behind those stellar, oft-kilter guitar parts in Incubus’ heavy funk numbers, spacey love songs and offbeat odes to spontaneous combustion.
                    [DatePublished] => 2004-03-12 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 241402
                    [Title] => Are you in?
                    [Summary] => Perhaps the most significant thing that ever happened to rock n’ roll in the ‘90s was the assimilation of the turntable into the traditional band setup of guitar, bass, drums and vocals. (Really, the keyboard has never been readily accepted by the rock mainstream although there was a glorious time in the ‘80s…)

[DatePublished] => 2004-03-05 00:00:00 [ColumnID] => 135989 [Focus] => 0 [AuthorID] => 1308998 [AuthorName] => Erwin T. Romulo [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
abtest
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