^
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                (
                    [ArticleID] => 294648
                    [Title] => Lars attack
                    [Summary] => Last night I went to Manderley again." That’s the first line in Daphne Du Maurier’s gothic-romance Rebecca – adapted for the cinema by producer David O. Selznik and his director Alfred Hitchcock in 1940. Hitchcock once observed that the story was essentially the story of two women, one man and a house – the latter being the dominant presence.
                    [DatePublished] => 2005-09-02 00:00:00
                    [ColumnID] => 135989
                    [Focus] => 0
                    [AuthorID] => 1308998
                    [AuthorName] => Erwin T. Romulo
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
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MANDERLAY
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                    [ArticleID] => 294648
                    [Title] => Lars attack
                    [Summary] => Last night I went to Manderley again." That’s the first line in Daphne Du Maurier’s gothic-romance Rebecca – adapted for the cinema by producer David O. Selznik and his director Alfred Hitchcock in 1940. Hitchcock once observed that the story was essentially the story of two women, one man and a house – the latter being the dominant presence.
                    [DatePublished] => 2005-09-02 00:00:00
                    [ColumnID] => 135989
                    [Focus] => 0
                    [AuthorID] => 1308998
                    [AuthorName] => Erwin T. Romulo
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
                )

        )

)
abtest
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