Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1421773
                    [Title] => 'Birdman' bests 'Boyhood' again on the road to the Oscars
                    [Summary] => 
The long takes of Alejandro Inarritu's "Birdman" won out over the long production of Richard Linklater's "Boyhood" at the Directors Guild Awards Saturday.

                    [DatePublished] => 2015-02-08 22:40:42
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1462205
                    [AuthorName] => Lindsey Bahr
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => http://media.philstar.com/images/the-philippine-star/entertainment/20150208/67th%20Annual%20DGA%20Award_Guti.jpg
                )

            [1] => Array
                (
                    [ArticleID] => 1402261
                    [Title] => About a boy
                    [Summary] => 
You can Benjamin Button your way to the Oscars with CGI all you like, or lay on the aging makeup if you want to capture the passage of time on film, but if you’re Richard Linklater, you go old school: he was in it for the long haul when he filmed Boyhood over a dozen years, charting the growing-up years of his actors and actresses in one of the most satisfying movies of 2014.

                    [DatePublished] => 2014-12-14 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [2] => Array
                (
                    [ArticleID] => 965761
                    [Title] => Never say forever
                    [Summary] => 
As a child, the pursuit of happiness is a squealing “yes” that is met with a laugh or a hush; get a little older, and it is often denied, with a darker sort of glee. I cannot say whether Before Midnight makes me happy or not — just as Ethan Hawke and Julie Delpy’s characters, back together in the third installment of director Richard Linklater’s Before… series, cannot easily say whether they are happy, whether what they have is still love.

                    [DatePublished] => 2013-07-14 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1619849
                    [AuthorName] => Nicola Sebastian
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [3] => Array
                (
                    [ArticleID] => 964412
                    [Title] => Film review: Before Midnight They save their best work for last
                    [Summary] => 
It’s hard to watch Before Midnight while resisting the urge to take notes that will be useful in real life.

                    [DatePublished] => 2013-07-12 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1155285
                    [AuthorName] => Averill Pizarro
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => 
                )

            [4] => Array
                (
                    [ArticleID] => 959679
                    [Title] => The talking cure
                    [Summary] => 
Jesse and Celine: they walk, they talk, they kvetch, they philosophize, they love, they fight.

                    [DatePublished] => 2013-06-30 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [5] => Array
                (
                    [ArticleID] => 749787
                    [Title] => My so-called waking life
                    [Summary] => 
Waking life is a dream controlled.  — George Santayana
                    [DatePublished] => 2011-11-20 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 388952
                    [Title] => Sex, fries and videotape
                    [Summary] => 



There’s a recurring phrase in Richard Linklater’s movie Fast Food Nation that’s supposed to make us all wake up and get angry: "There’s shit in the meat." Variations on this phrase are uttered by several characters, including Don Henderson (Greg Kinnear), a PR guy for the fictional fast-food chain called Mickey’s (how close can you get without being sued?) that sells a jumbo burger called the "Big One." Don is sent to Cody, Wyoming, to visit Mickey’s meat supplier and sniff out the truth.
                    [DatePublished] => 2007-03-11 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

        )

)

LINKLATER

Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1421773
                    [Title] => 'Birdman' bests 'Boyhood' again on the road to the Oscars
                    [Summary] => 
The long takes of Alejandro Inarritu's "Birdman" won out over the long production of Richard Linklater's "Boyhood" at the Directors Guild Awards Saturday.

                    [DatePublished] => 2015-02-08 22:40:42
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1462205
                    [AuthorName] => Lindsey Bahr
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => http://media.philstar.com/images/the-philippine-star/entertainment/20150208/67th%20Annual%20DGA%20Award_Guti.jpg
                )

            [1] => Array
                (
                    [ArticleID] => 1402261
                    [Title] => About a boy
                    [Summary] => 
You can Benjamin Button your way to the Oscars with CGI all you like, or lay on the aging makeup if you want to capture the passage of time on film, but if you’re Richard Linklater, you go old school: he was in it for the long haul when he filmed Boyhood over a dozen years, charting the growing-up years of his actors and actresses in one of the most satisfying movies of 2014.

                    [DatePublished] => 2014-12-14 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [2] => Array
                (
                    [ArticleID] => 965761
                    [Title] => Never say forever
                    [Summary] => 
As a child, the pursuit of happiness is a squealing “yes” that is met with a laugh or a hush; get a little older, and it is often denied, with a darker sort of glee. I cannot say whether Before Midnight makes me happy or not — just as Ethan Hawke and Julie Delpy’s characters, back together in the third installment of director Richard Linklater’s Before… series, cannot easily say whether they are happy, whether what they have is still love.

                    [DatePublished] => 2013-07-14 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1619849
                    [AuthorName] => Nicola Sebastian
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [3] => Array
                (
                    [ArticleID] => 964412
                    [Title] => Film review: Before Midnight They save their best work for last
                    [Summary] => 
It’s hard to watch Before Midnight while resisting the urge to take notes that will be useful in real life.

                    [DatePublished] => 2013-07-12 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 1155285
                    [AuthorName] => Averill Pizarro
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => 
                )

            [4] => Array
                (
                    [ArticleID] => 959679
                    [Title] => The talking cure
                    [Summary] => 
Jesse and Celine: they walk, they talk, they kvetch, they philosophize, they love, they fight.

                    [DatePublished] => 2013-06-30 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [5] => Array
                (
                    [ArticleID] => 749787
                    [Title] => My so-called waking life
                    [Summary] => 
Waking life is a dream controlled.  — George Santayana
                    [DatePublished] => 2011-11-20 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 388952
                    [Title] => Sex, fries and videotape
                    [Summary] => 



There’s a recurring phrase in Richard Linklater’s movie Fast Food Nation that’s supposed to make us all wake up and get angry: "There’s shit in the meat." Variations on this phrase are uttered by several characters, including Don Henderson (Greg Kinnear), a PR guy for the fictional fast-food chain called Mickey’s (how close can you get without being sued?) that sells a jumbo burger called the "Big One." Don is sent to Cody, Wyoming, to visit Mickey’s meat supplier and sniff out the truth.
                    [DatePublished] => 2007-03-11 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Sunday Lifestyle
                    [SectionUrl] => sunday-life
                    [URL] => 
                )

        )

)

abtest

'Birdman' bests 'Boyhood' again on the road to the Oscars

By Lindsey Bahr | February 8, 2015 - 10:40pm

The long takes of Alejandro Inarritu's "Birdman" won out over the long production of Richard Linklater's "Boyhood" at the...

Entertainment

About a boy

By Scott R. Garceau | December 14, 2014 - 12:00am

You can Benjamin Button your way to the Oscars with CGI all you like, or lay on the aging makeup if you want to capture the passage of time on film, but if you’re Richard Linklater, you go old school: he was...

Sunday Lifestyle

Never say forever

By Nicola Sebastian | July 14, 2013 - 12:00am

As a child, the pursuit of happiness is a squealing “yes” that is met with a laugh or a hush; get a little older, and it is often denied, with a darker sort of glee. I cannot say whether Before Midnight...

Sunday Lifestyle

Film review: Before Midnight They save their best work for last

By Averill Pizarro | July 12, 2013 - 12:00am

It’s hard to watch Before Midnight while resisting the urge to take notes that will be useful in real life.

Entertainment

The talking cure

By Scott R. Garceau | June 30, 2013 - 12:00am

Jesse and Celine: they walk, they talk, they kvetch, they philosophize, they love, they fight.

Sunday Lifestyle

My so-called waking life

By Scott R. Garceau | November 20, 2011 - 12:00am

Waking life is a dream controlled.  — George Santayana

Sunday Lifestyle

Sex, fries and videotape

By Scott R. Garceau | March 11, 2007 - 12:00am

There’s a recurring phrase in Richard Linklater’s movie Fast Food Nation that’s...

Sunday Lifestyle