^
+ Follow HUMAN STUDY Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 339405
                    [Title] => V for Ventura
                    [Summary] => 
Ronald Ventura’s Crossworld Traffic
Something Kafkaesque happened to Ronald Ventura on his way to Sydney, Australia for his exhibit at the Cross Art Projects, a leading contemporary art space in Kings Cross. Since the artist brought paintings on canvases with wooden frames, he had to stay in the quarantine area of the Sydney Airport. [DatePublished] => 2006-05-30 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [1] => Array ( [ArticleID] => 274399 [Title] => Ronald Ventura’s hyperrealist highway [Summary] => Eight p.m., on the corner of Mindanao Ave. and the void. We got lost going to Ronald Ventura’s house. Villages with duplicate names. Roads that snake to nowhere. Landmarks swallowed by the liquid night. People – pale, huddled in the dark – giving confusing and opposing directions. Searching and not finding Ventura’s house in Quezon City was weird and unnerving, much like staring into the artist’s paintings inhabited by contorted figures with contorted stories to tell. [DatePublished] => 2005-04-18 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
HUMAN STUDY
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 339405
                    [Title] => V for Ventura
                    [Summary] => 
Ronald Ventura’s Crossworld Traffic
Something Kafkaesque happened to Ronald Ventura on his way to Sydney, Australia for his exhibit at the Cross Art Projects, a leading contemporary art space in Kings Cross. Since the artist brought paintings on canvases with wooden frames, he had to stay in the quarantine area of the Sydney Airport. [DatePublished] => 2006-05-30 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [1] => Array ( [ArticleID] => 274399 [Title] => Ronald Ventura’s hyperrealist highway [Summary] => Eight p.m., on the corner of Mindanao Ave. and the void. We got lost going to Ronald Ventura’s house. Villages with duplicate names. Roads that snake to nowhere. Landmarks swallowed by the liquid night. People – pale, huddled in the dark – giving confusing and opposing directions. Searching and not finding Ventura’s house in Quezon City was weird and unnerving, much like staring into the artist’s paintings inhabited by contorted figures with contorted stories to tell. [DatePublished] => 2005-04-18 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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