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                    [Title] => The die-orama that is Kill Bill
                    [Summary] => The first Kill Bill was like a pop art open wound–an indulging visual candy that left your senses reeling and queasy. It had both gristle and sheen delivered mostly by good sets, costumes and cinematography. What it lacked in story originality, it made up for in treatment –like a film class project that became all too conscious of style over substance. Not a few must have wondered at the end of the bloodbath (purportedly 450 gallons of it, to be precise) if they had gotten a lot dumber for watching it. 

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[DatePublished] => 2004-07-16 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1435777 [AuthorName] => Kap Maceda Aguila [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
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                    [ArticleID] => 257836
                    [Title] => The die-orama that is Kill Bill
                    [Summary] => The first Kill Bill was like a pop art open wound–an indulging visual candy that left your senses reeling and queasy. It had both gristle and sheen delivered mostly by good sets, costumes and cinematography. What it lacked in story originality, it made up for in treatment –like a film class project that became all too conscious of style over substance. Not a few must have wondered at the end of the bloodbath (purportedly 450 gallons of it, to be precise) if they had gotten a lot dumber for watching it. 

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[DatePublished] => 2004-07-16 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1435777 [AuthorName] => Kap Maceda Aguila [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
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