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                    [Title] => To freshmen, on first days and awkwardness
                    [Summary] => 
Remember Buffy Summers? Before she became the most long-lived, kick-ass, and quotable vampire slayer of the 21st century—she was a relatively normal high school student, just like the rest of us. Expelled from her old school for burning down a gym full of the undead, she moves to Sunnydale to start anew, only to be greeted on her first day by a dead body, vampires, and the portal to the Hellmouth.

                    [DatePublished] => 2014-06-13 00:00:00
                    [ColumnID] => 134405
                    [Focus] => 0
                    [AuthorID] => 1732449
                    [AuthorName] => Samantha King
                    [SectionName] => Young Star
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                    [Title] => Cinema Purgatorio
                    [Summary] => 
And there was I. An AB Literature student who snuck out of class to drink with friends —nomads, vagabonds, call them what you will from the college of music.
                    [DatePublished] => 2009-11-23 00:00:00
                    [ColumnID] => 133531
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Arts and Culture
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                    [Title] => Godot, Wer Is U? / Caces, Sipin recitals
                    [Summary] => The Irish dramatist Samuel Beckett wrote Waiting for Godot  in English, later translating  it into French for Paris audiences. According to  Studs Terkel, when the play was staged in the US in the 50s, critics wrote: "How dare you? This is horrible,  loathesome, dirty; this is a hoax, a fake, a fraud. How could you perpetrate this on the great American public?"  Walter Winchell claimed he wouldn’t soil his mouth reporting on the play. In Miami, more than half of the audience left  before the play was over.


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                    [Title] => The real issue is to change or not to change
                    [Summary] => A battle royale looms when charter change is finally taken up in the next Congress. Already political lines are being drawn for the epic struggle. It would be tempting to reduce  adversaries to personalities – the President, senators, congressmen/women and professional agitators who have made a career of objecting to anything. These personalities are merely the dramatis personae playing out a simple human drama – to change or not to change. 


                    [DatePublished] => 2005-05-15 00:00:00
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                    [AuthorName] => Carmen N. Pedrosa
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                    [Title] => The real issue is to change or not to change
                    [Summary] => A battle royale looms when charter change is finally taken up in the next Congress. Already political lines are being drawn for the epic struggle. It would be tempting to reduce  adversaries to personalities – the President, senators, congressmen/women and professional agitators who have made a career of objecting to anything. These personalities are merely the dramatis personae playing out a simple human drama – to change or not to change. 


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                    [AuthorName] => Carmen N. Pedrosa
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                    [Title] => Old Cure for new ills
                    [Summary] => My brother and I love The Cure. My brother says he prefers exploring the brightly lit pop parlors in Cure songs where boys don’t cry and do fall in love on a Friday (or in between days, for that matter). I prefer the cold, violet Cure universe littered with hanging gardens, figureheads, funeral parties, Siamese twins and drowning men. My brother digs Robert Smith (The Cure’s driving force) singing about cute caterpillars and hands that shake like milk.
                    [DatePublished] => 2004-08-06 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
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                    [AuthorName] => Igan D’Bayan
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                    [Title] => Grappling with  Godot
                    [Summary] => Its Premiere in Paris in 1953 was ignored. In London, it was ridiculed. In 1955, Alan Schneider was hired to direct the American premiere, in Miami. Schneider had come to playwright Samuel Beckett’s Paris apartment bursting with pre-production curiosities, especially regarding the identity of the title character. To Schneider’s query, "Who is Godot?" the laconic playwright famously retorted, "If I knew, I would have said so in the play." Audiences and critics similarly panned the Miami production. 


                    [DatePublished] => 2004-05-30 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1661087
                    [AuthorName] => Rabbi Gannaban
                    [SectionName] => Starweek Magazine
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                    [Title] => Waiting for GMA
                    [Summary] => We might as well have been Waiting for Godot, to borrow the title of the Samuel Beckett play we studied to death in college (but still couldn’t agree on who–or what–Godot was).  Throw in too Shakespeare’s Much Ado About Nothing, and you have a pretty good description of what Saturday night was like at the Dos Palmas Resort in Palawan.


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                    [ColumnID] => 135045
                    [Focus] => 0
                    [AuthorID] => 1632939
                    [AuthorName] => NOTES FROM THE EDITOR By Singkit
                    [SectionName] => Starweek Magazine
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GODOT

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And there was I. An AB Literature student who snuck out of class to drink with friends —nomads, vagabonds, call them what you will from the college of music.
                    [DatePublished] => 2009-11-23 00:00:00
                    [ColumnID] => 133531
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                    [Title] => Godot, Wer Is U? / Caces, Sipin recitals
                    [Summary] => The Irish dramatist Samuel Beckett wrote Waiting for Godot  in English, later translating  it into French for Paris audiences. According to  Studs Terkel, when the play was staged in the US in the 50s, critics wrote: "How dare you? This is horrible,  loathesome, dirty; this is a hoax, a fake, a fraud. How could you perpetrate this on the great American public?"  Walter Winchell claimed he wouldn’t soil his mouth reporting on the play. In Miami, more than half of the audience left  before the play was over.


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                    [Title] => The real issue is to change or not to change
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                    [Title] => The real issue is to change or not to change
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                    [Title] => Grappling with  Godot
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                    [Title] => Waiting for GMA
                    [Summary] => We might as well have been Waiting for Godot, to borrow the title of the Samuel Beckett play we studied to death in college (but still couldn’t agree on who–or what–Godot was).  Throw in too Shakespeare’s Much Ado About Nothing, and you have a pretty good description of what Saturday night was like at the Dos Palmas Resort in Palawan.


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                    [ColumnID] => 135045
                    [Focus] => 0
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abtest

To freshmen, on first days and awkwardness

By Samantha King | June 13, 2014 - 12:00am

Remember Buffy Summers? Before she became the most long-lived, kick-ass, and quotable vampire slayer of the 21st century—she was a relatively normal high school student, just like the rest of us. Expelled from...

Young Star

Cinema Purgatorio

By Igan D’Bayan | November 23, 2009 - 12:00am

And there was I. An AB Literature student who snuck out of class to drink with friends —nomads, vagabonds, call them what you will from the college of music.

Arts and Culture

Godot, Wer Is U? / Caces, Sipin recitals

By SUNDRY STROKES | July 1, 2006 - 12:00am

The Irish dramatist Samuel Beckett wrote Waiting for Godot in English, later translating it into French for Paris audiences. According to Studs Terkel, when the play was staged in the US in the 50s, critics wrote:...

Opinion

The real issue is to change or not to change

By FROM A DISTANCE | By Carmen N. Pedrosa | May 15, 2005 - 12:00am

A battle royale looms when charter change is finally taken up in the next Congress. Already political lines are being drawn for the epic struggle. It would be tempting to reduce adversaries to personalities –...

Opinion

The real issue is to change or not to change

By FROM A DISTANCE | By Carmen N. Pedrosa | May 15, 2005 - 12:00am

A battle royale looms when charter change is finally taken up in the next Congress. Already political lines are being drawn for the epic struggle. It would be tempting to reduce adversaries to personalities –...

Opinion

Old Cure for new ills

By Igan D’Bayan | August 6, 2004 - 12:00am

My brother and I love The Cure. My brother says he prefers exploring the brightly lit pop parlors in Cure songs where boys don’t cry and do fall in love on a Friday (or in between days, for that matter). I prefer...

Young Star

Grappling with Godot

By Rabbi Gannaban | May 30, 2004 - 12:00am

Its Premiere in Paris in 1953 was ignored. In London, it was ridiculed. In 1955, Alan Schneider was hired to direct the American premiere, in Miami. Schneider had come to playwright Samuel Beckett’s Paris apartment...

Starweek Magazine

Waiting for GMA

By NOTES FROM THE EDITOR By Singkit | May 5, 2002 - 12:00am

We might as well have been Waiting for Godot, to borrow the title of the Samuel Beckett play we studied to death in college (but still couldn’t agree on who–or what–Godot was). Throw in too Shakespeare’s...

Starweek Magazine