+ Follow ENGLISHMAN CHRISTIAN BALE Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 94228
[Title] => Sloppy seconds
[Summary] => During the opening credits to Hannibal, director Ridley Scotts long-awaited follow-up to The Silence of the Lambs, a piece of music plays: its the "Aria" to Bachs Goldberg Variations, performed by Glenn Gould. But this is not the earlier, more spry version recorded by Gould in his youth; its the later, longer version, recorded in his 40s: tentative, hesistant, full of stops and starts signifying an older, more meditative mind at work.
[DatePublished] => 2001-03-20 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
ENGLISHMAN CHRISTIAN BALE
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 94228
[Title] => Sloppy seconds
[Summary] => During the opening credits to Hannibal, director Ridley Scotts long-awaited follow-up to The Silence of the Lambs, a piece of music plays: its the "Aria" to Bachs Goldberg Variations, performed by Glenn Gould. But this is not the earlier, more spry version recorded by Gould in his youth; its the later, longer version, recorded in his 40s: tentative, hesistant, full of stops and starts signifying an older, more meditative mind at work.
[DatePublished] => 2001-03-20 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
abtest