^
+ Follow DRAKULA Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1251311
                    [Title] => Ungo-ungo
                    [Summary] => 

Nahibaw ba mo nga ang kusog negosyo atol sa kalag-kalag dili lang ang kandila ug buwak kundili mga maskarang ungo-ungo sab?

[DatePublished] => 2013-10-31 00:00:00 [ColumnID] => 133380 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Banat Opinyon [SectionUrl] => opinyon [URL] => ) [1] => Array ( [ArticleID] => 77297 [Title] => EDITORYAL – Bantayan ang mga negosyanteng gahaman [Summary] =>

KUNG tunay na nag-aalala si President Arroyo sa kalagayan ng mamamayan na sagad na ang bulsa dahil sa mahal ng mga bilihin, tulungan silang mailigtas sa mga gahaman at mandarayang negosyante. Kung totoong may malasakit sa mamamayan,.....

[DatePublished] => 2008-08-05 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => PSN Opinyon [SectionUrl] => opinyon [URL] => ) [2] => Array ( [ArticleID] => 178019 [Title] => Flights of fancy [Summary] => Two plays recently onstage mirror the temper of our time: Tanghalang Pilipino’s Drakula and Trumpets’ The Lion, the Witch and the Wardrobe. Both of these offered an escape from the chaos of the real world into a twilight zone of dream and fantasy.
[DatePublished] => 2002-09-30 00:00:00 [ColumnID] => 133225 [Focus] => 0 [AuthorID] => 1386314 [AuthorName] => Jess Q. Cruz [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [3] => Array ( [ArticleID] => 174422 [Title] => A modern bite for ‘Drakula’ [Summary] => When Ana Valdes-Lim talks to you about Drakula, Tanghalang Pilipino’s third production in its 16th theater season, she talks about how the drama was adapted from Liz Lochhead’s version of the novel by Bram Stoker, how she had to cut the narrative down to 90 minutes to increase the drama’s tension, how she had to create the correct sound and look for the cast so that the production would be faithful to its Victorian setting, and how she intends to disturb – not shock – her audience.
[DatePublished] => 2002-09-02 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1420681 [AuthorName] => Joseph Cortes [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
DRAKULA
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1251311
                    [Title] => Ungo-ungo
                    [Summary] => 

Nahibaw ba mo nga ang kusog negosyo atol sa kalag-kalag dili lang ang kandila ug buwak kundili mga maskarang ungo-ungo sab?

[DatePublished] => 2013-10-31 00:00:00 [ColumnID] => 133380 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Banat Opinyon [SectionUrl] => opinyon [URL] => ) [1] => Array ( [ArticleID] => 77297 [Title] => EDITORYAL – Bantayan ang mga negosyanteng gahaman [Summary] =>

KUNG tunay na nag-aalala si President Arroyo sa kalagayan ng mamamayan na sagad na ang bulsa dahil sa mahal ng mga bilihin, tulungan silang mailigtas sa mga gahaman at mandarayang negosyante. Kung totoong may malasakit sa mamamayan,.....

[DatePublished] => 2008-08-05 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => PSN Opinyon [SectionUrl] => opinyon [URL] => ) [2] => Array ( [ArticleID] => 178019 [Title] => Flights of fancy [Summary] => Two plays recently onstage mirror the temper of our time: Tanghalang Pilipino’s Drakula and Trumpets’ The Lion, the Witch and the Wardrobe. Both of these offered an escape from the chaos of the real world into a twilight zone of dream and fantasy.
[DatePublished] => 2002-09-30 00:00:00 [ColumnID] => 133225 [Focus] => 0 [AuthorID] => 1386314 [AuthorName] => Jess Q. Cruz [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [3] => Array ( [ArticleID] => 174422 [Title] => A modern bite for ‘Drakula’ [Summary] => When Ana Valdes-Lim talks to you about Drakula, Tanghalang Pilipino’s third production in its 16th theater season, she talks about how the drama was adapted from Liz Lochhead’s version of the novel by Bram Stoker, how she had to cut the narrative down to 90 minutes to increase the drama’s tension, how she had to create the correct sound and look for the cast so that the production would be faithful to its Victorian setting, and how she intends to disturb – not shock – her audience.
[DatePublished] => 2002-09-02 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1420681 [AuthorName] => Joseph Cortes [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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