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Array ( [results] => Array ( [0] => Array ( [ArticleID] => 330846 [Title] => UN, Central, Carriedo [Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholasticas College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.
Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinders Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00 [ColumnID] => 133271 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
DOMS ILIO
Array ( [results] => Array ( [0] => Array ( [ArticleID] => 330846 [Title] => UN, Central, Carriedo [Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholasticas College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.
Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinders Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00 [ColumnID] => 133271 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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By Juaniyo Arcellana | April 10, 2006 - 12:00am
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February 12, 2018
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