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                    [Title] => Revisiting Ballet Philippines’ history
                    [Summary] => For five performances early this month, Ballet Philippines, together with the Philippine Philharmonic Orchestra and the Philippine Madrigal Singers, attempted the rare feat of combining dance, music and song on one stage in Icons, its second offering for its 2003-2004 season.


The centerpiece of Icons was Alice Reyes’ Carmina Burana, a grand ballet that utilizes the secular cantata by Carl Orff as its backdrop. First staged in 1974 to critical acclaim, it was restaged after 30 years by Ida Beltran-Lucila.


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                    [AuthorName] => Joseph Cortes
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                    [Title] => Revisiting Ballet Philippines’ history
                    [Summary] => For five performances early this month, Ballet Philippines, together with the Philippine Philharmonic Orchestra and the Philippine Madrigal Singers, attempted the rare feat of combining dance, music and song on one stage in Icons, its second offering for its 2003-2004 season.


The centerpiece of Icons was Alice Reyes’ Carmina Burana, a grand ballet that utilizes the secular cantata by Carl Orff as its backdrop. First staged in 1974 to critical acclaim, it was restaged after 30 years by Ida Beltran-Lucila.


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Revisiting Ballet Philippines’ history

By Joseph Cortes | October 27, 2003 - 12:00am

For five performances early this month, Ballet Philippines, together with the Philippine Philharmonic Orchestra and the Philippine Madrigal Singers, attempted the rare feat of combining dance, music and song on one...

Arts and Culture