^
+ Follow CHANDA ROMERO-PHILIP SALVADOR Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 250371
                    [Title] => Learning from Lino
                    [Summary] => I was idly flipping channels one night last week when a vaguely familiar scenario caught my attention – Christopher de Leon caught between Dina Bonnevie and Lorna Tolentino. The women’s big hair – you know, the ’dos with the woolly curls up front – tipped me off to the fact that I was looking at a cinematic artifact – mid- to late 1980s, to be sure.
                    [DatePublished] => 2004-05-17 00:00:00
                    [ColumnID] => 135214
                    [Focus] => 0
                    [AuthorID] => 1804847
                    [AuthorName] => Butch Dalisay
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)
CHANDA ROMERO-PHILIP SALVADOR
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 250371
                    [Title] => Learning from Lino
                    [Summary] => I was idly flipping channels one night last week when a vaguely familiar scenario caught my attention – Christopher de Leon caught between Dina Bonnevie and Lorna Tolentino. The women’s big hair – you know, the ’dos with the woolly curls up front – tipped me off to the fact that I was looking at a cinematic artifact – mid- to late 1980s, to be sure.
                    [DatePublished] => 2004-05-17 00:00:00
                    [ColumnID] => 135214
                    [Focus] => 0
                    [AuthorID] => 1804847
                    [AuthorName] => Butch Dalisay
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)
abtest
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