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                    [Title] => A Classic Legacy
                    [Summary] => During the late forties, the fifties and the sixties, the name of Ramon Valera was a byword in the world of haute couture. Women in elite circles would hie to his shop to have him design their ternos, wedding gowns, day and evening wear.  (Those who couldn’t quite afford him went to his sister Neniching.)


Indeed, in the heyday of the Filipino master couturier–his clientele called him simply "Ramoning"– his name was mentioned with the same awe and deference as they would the name of Yves St. Laurent decades later.


                    [DatePublished] => 2003-09-21 00:00:00
                    [ColumnID] => 135850
                    [Focus] => 0
                    [AuthorID] => 1808374
                    [AuthorName] => Rosalinda Orosa
                    [SectionName] => Starweek Magazine
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CELINE HERRAS

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                    [Title] => A Classic Legacy
                    [Summary] => During the late forties, the fifties and the sixties, the name of Ramon Valera was a byword in the world of haute couture. Women in elite circles would hie to his shop to have him design their ternos, wedding gowns, day and evening wear.  (Those who couldn’t quite afford him went to his sister Neniching.)


Indeed, in the heyday of the Filipino master couturier–his clientele called him simply "Ramoning"– his name was mentioned with the same awe and deference as they would the name of Yves St. Laurent decades later.


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abtest

A Classic Legacy

By Rosalinda Orosa | September 21, 2003 - 12:00am

During the late forties, the fifties and the sixties, the name of Ramon Valera was a byword in the world of haute couture. Women in elite circles would hie to his shop to have him design their ternos, wedding gowns,...

Starweek Magazine