^
+ Follow CEBUANO AND DIANGAN Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 243234
                    [Title] => Kayumanggi
                    [Summary] => The songs in the concert titled Kayumanggi were mostly religious in nature, yet they were not anything like  Bach Cantata, Handel’s Hallelujah, a Palestrina Mass, Mozart’s or Verdi’s Requiem. The structure’s, modes, methods, systems or means were often a complete departure from what had been handed down to us by the West through the Spaniards (informally) and by the Germans represented by Sr. Baptista Battig who introduced formal Western music education in the Philippines in 1908. 

[DatePublished] => 2004-03-20 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
CEBUANO AND DIANGAN
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 243234
                    [Title] => Kayumanggi
                    [Summary] => The songs in the concert titled Kayumanggi were mostly religious in nature, yet they were not anything like  Bach Cantata, Handel’s Hallelujah, a Palestrina Mass, Mozart’s or Verdi’s Requiem. The structure’s, modes, methods, systems or means were often a complete departure from what had been handed down to us by the West through the Spaniards (informally) and by the Germans represented by Sr. Baptista Battig who introduced formal Western music education in the Philippines in 1908. 

[DatePublished] => 2004-03-20 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
abtest
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