^
+ Follow BERNARD VISTA Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1261124
                    [Title] => UA&P opens art market for Yolanda children survivors
                    [Summary] => 

To complement the immediate, material provisions of its relief operations, the University of Asia and the Pacific (UA&P), through the Arts Department of its College of Arts and Sciences, opened the UA&P Art Market for Children Who Survived Typhoon Yolanda on Nov. 25 at Hans Seidel Hall. Proceeds will fund long-term recovery programs for children that include psychological assessment and healing, art therapy, and recovery management.

[DatePublished] => 2013-11-26 13:18:09 [ColumnID] => 0 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Campus [SectionUrl] => campus [URL] => http://img822.imageshack.us/img822/4189/do2l.jpg ) [1] => Array ( [ArticleID] => 279721 [Title] => Harvests for the world [Summary] => In this age of idols, pop stars, and counterfeit heroes, it is but fitting to pay tribute to the real stars – the hardworking people in farms, fishing boats, fruit farms, and market stalls, the sector the Rolling Stones dubbed as "the salt of the earth."

Twenty artists are part of an exhibit at Galerie Joaquin titled Masaganang Ani, which honors the men and women who work in the fields of agriculture and fisheries, or society’s "uncounted heads."
[DatePublished] => 2005-05-30 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [2] => Array ( [ArticleID] => 242675 [Title] => An assemblage of art at Joaquín [Summary] => It is not always that one walks in a gallery and see cheerful works. More often than not, gallery or even museum exhibitions these days draw power from somber works that take on issues of national and international import or works that capitalize on distorting, attenuating and even maiming the human figure to emphasize despair, if not outright disenfranchisement, of man in society today.
[DatePublished] => 2004-03-15 00:00:00 [ColumnID] => 133535 [Focus] => 0 [AuthorID] => 1804672 [AuthorName] => Ruben Defeo [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
BERNARD VISTA
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1261124
                    [Title] => UA&P opens art market for Yolanda children survivors
                    [Summary] => 

To complement the immediate, material provisions of its relief operations, the University of Asia and the Pacific (UA&P), through the Arts Department of its College of Arts and Sciences, opened the UA&P Art Market for Children Who Survived Typhoon Yolanda on Nov. 25 at Hans Seidel Hall. Proceeds will fund long-term recovery programs for children that include psychological assessment and healing, art therapy, and recovery management.

[DatePublished] => 2013-11-26 13:18:09 [ColumnID] => 0 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Campus [SectionUrl] => campus [URL] => http://img822.imageshack.us/img822/4189/do2l.jpg ) [1] => Array ( [ArticleID] => 279721 [Title] => Harvests for the world [Summary] => In this age of idols, pop stars, and counterfeit heroes, it is but fitting to pay tribute to the real stars – the hardworking people in farms, fishing boats, fruit farms, and market stalls, the sector the Rolling Stones dubbed as "the salt of the earth."

Twenty artists are part of an exhibit at Galerie Joaquin titled Masaganang Ani, which honors the men and women who work in the fields of agriculture and fisheries, or society’s "uncounted heads."
[DatePublished] => 2005-05-30 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [2] => Array ( [ArticleID] => 242675 [Title] => An assemblage of art at Joaquín [Summary] => It is not always that one walks in a gallery and see cheerful works. More often than not, gallery or even museum exhibitions these days draw power from somber works that take on issues of national and international import or works that capitalize on distorting, attenuating and even maiming the human figure to emphasize despair, if not outright disenfranchisement, of man in society today.
[DatePublished] => 2004-03-15 00:00:00 [ColumnID] => 133535 [Focus] => 0 [AuthorID] => 1804672 [AuthorName] => Ruben Defeo [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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