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                    [Title] => Bring the sunshine in with Ethan Allen
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With the rains come rainy-day blues.

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No other Filipino artist can make viewers think their pretty faces are going to hell right after looking at a particular painting of, say, a Ku Klux Klansman in bloody red heralding the apocalypse.

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[DatePublished] => 2007-01-05 00:00:00 [ColumnID] => 133579 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [4] => Array ( [ArticleID] => 274399 [Title] => Ronald Ventura’s hyperrealist highway [Summary] => Eight p.m., on the corner of Mindanao Ave. and the void. We got lost going to Ronald Ventura’s house. Villages with duplicate names. Roads that snake to nowhere. Landmarks swallowed by the liquid night. People – pale, huddled in the dark – giving confusing and opposing directions. Searching and not finding Ventura’s house in Quezon City was weird and unnerving, much like staring into the artist’s paintings inhabited by contorted figures with contorted stories to tell. [DatePublished] => 2005-04-18 00:00:00 [ColumnID] => 133531 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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With the rains come rainy-day blues.

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No other Filipino artist can make viewers think their pretty faces are going to hell right after looking at a particular painting of, say, a Ku Klux Klansman in bloody red heralding the apocalypse.

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abtest
By Igan D’Bayan | June 1, 2007 - 12:00am
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