+ Follow ASHES AND DIAMONDS Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 248486
[Title] => CINEMA VISIONS FOR THE COFFEE TABLE
[Summary] => When film-maker Stanley Kubrick died back in 1999, they rolled the inevitable "film-clip" montages during news broadcasts and on Oscar night, and you couldn’t help noticing one thing: the guy might have been difficult to work with, but he had a genius for creating lasting, vivid images. Whether it was the ape wielding a bone in a killing frenzy in 2001, or the sight of Jack Nicholson leering through a doorway in The Shining, every Kubrick film had at least one resonant, identifying moment, and usually several.
[DatePublished] => 2004-05-02 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
)
)
ASHES AND DIAMONDS
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 248486
[Title] => CINEMA VISIONS FOR THE COFFEE TABLE
[Summary] => When film-maker Stanley Kubrick died back in 1999, they rolled the inevitable "film-clip" montages during news broadcasts and on Oscar night, and you couldn’t help noticing one thing: the guy might have been difficult to work with, but he had a genius for creating lasting, vivid images. Whether it was the ape wielding a bone in a killing frenzy in 2001, or the sight of Jack Nicholson leering through a doorway in The Shining, every Kubrick film had at least one resonant, identifying moment, and usually several.
[DatePublished] => 2004-05-02 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
)
)
abtest
