^
+ Follow ANDREI JOSE Tag
Array
(
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                (
                    [ArticleID] => 268679
                    [Title] => Portraits of the Filipino in the performing arts
                    [Summary] => Say what you will about the Pinoy – that he throws his garbage into the neighbor’s backyard; that he is indolent which is the reason why he is typified by Juan Tamad; that he does not wash his hands after peeing; that he cheats all the way from the card table to the national elections; that he will not admit to any wrongdoing but instead casts aspersions on his cousin; that he will not admit to losing in an election but insist that he has been cheated by his opponent; and if by chance he is caught by the law and cast into the pit, he’ll drag down everyone else with him to
                    [DatePublished] => 2005-02-14 00:00:00
                    [ColumnID] => 133225
                    [Focus] => 0
                    [AuthorID] => 1386314
                    [AuthorName] => Jess Q. Cruz
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 268388
                    [Title] => Our very own
                    [Summary] => We customarily hear western classics in concerts through the years, with Filipino songs or orchestral works occasionally thrown in – almost as an afterthought. Last week, an entire concert at the CCP main theater was devoted to Filipino compositions mostly before WWII, with the Philippine Philharmonic Orchestra rendering them under the baton of Conductor Laureate Oscar  Yatco.

[DatePublished] => 2005-02-09 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
ANDREI JOSE
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 268679
                    [Title] => Portraits of the Filipino in the performing arts
                    [Summary] => Say what you will about the Pinoy – that he throws his garbage into the neighbor’s backyard; that he is indolent which is the reason why he is typified by Juan Tamad; that he does not wash his hands after peeing; that he cheats all the way from the card table to the national elections; that he will not admit to any wrongdoing but instead casts aspersions on his cousin; that he will not admit to losing in an election but insist that he has been cheated by his opponent; and if by chance he is caught by the law and cast into the pit, he’ll drag down everyone else with him to
                    [DatePublished] => 2005-02-14 00:00:00
                    [ColumnID] => 133225
                    [Focus] => 0
                    [AuthorID] => 1386314
                    [AuthorName] => Jess Q. Cruz
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 268388
                    [Title] => Our very own
                    [Summary] => We customarily hear western classics in concerts through the years, with Filipino songs or orchestral works occasionally thrown in – almost as an afterthought. Last week, an entire concert at the CCP main theater was devoted to Filipino compositions mostly before WWII, with the Philippine Philharmonic Orchestra rendering them under the baton of Conductor Laureate Oscar  Yatco.

[DatePublished] => 2005-02-09 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
abtest
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