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                    [Title] => What writers think, and how
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Every summer, usually after Holy Week, the University of the Philippines Institute of Creative Writing brings a contingent (this year, a baker’s dozen) of the best of our younger and most productive writers up to Baguio for an intensive workshop that focuses on their ongoing projects and deals with issues that typically come with what we call that “mid-career” stage — publication, balancing work and life, zeroing in on what one really wants to do, fine-tuning one’s voice and pitch.
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                    [Title] => A mid-November treat
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It won’t be the first thing that will come up when you Google the  acronym “MILF” (and neither will certain secessionists down south), but  for the second year in a row now, the Manila International Literary  Festival (Nov. 16-18) has been a resounding success, proving that  writing is alive and well in this country, and that we’re beginning to  look outward for new readers to reach, even as we develop our local  audiences.
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                    [Title] => The element of surprise
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(Second Of Two Parts)

For sheer shock value, two stories stand out most clearly in my mind: Shirley Jackson’s "The Lottery" and Flannery O’Connor’s "Good Country People." I’d rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga
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ANDREA PASION

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Every summer, usually after Holy Week, the University of the Philippines Institute of Creative Writing brings a contingent (this year, a baker’s dozen) of the best of our younger and most productive writers up to Baguio for an intensive workshop that focuses on their ongoing projects and deals with issues that typically come with what we call that “mid-career” stage — publication, balancing work and life, zeroing in on what one really wants to do, fine-tuning one’s voice and pitch.
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                    [ArticleID] => 752268
                    [Title] => A mid-November treat
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It won’t be the first thing that will come up when you Google the  acronym “MILF” (and neither will certain secessionists down south), but  for the second year in a row now, the Manila International Literary  Festival (Nov. 16-18) has been a resounding success, proving that  writing is alive and well in this country, and that we’re beginning to  look outward for new readers to reach, even as we develop our local  audiences.
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                    [Title] => The element of surprise
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(Second Of Two Parts)

For sheer shock value, two stories stand out most clearly in my mind: Shirley Jackson’s "The Lottery" and Flannery O’Connor’s "Good Country People." I’d rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga
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abtest

What writers think, and how

By Butch Dalisay | April 23, 2012 - 12:00am

Every summer, usually after Holy Week, the University of the Philippines Institute of Creative Writing brings a contingent (this year, a baker’s dozen) of the best of our younger and most productive writers...

Arts and Culture

A mid-November treat

By Butch Dalisay | November 28, 2011 - 12:00am

It won’t be the first thing that will come up when you Google the acronym “MILF” (and neither will certain...

Arts and Culture

The element of surprise

By Butch Dalisay | July 18, 2005 - 12:00am

(Second Of Two Parts) For sheer shock value, two stories stand out most clearly in my mind: Shirley Jackson’s "The Lottery" and Flannery O’Connor’s "Good Country People." I’d...

Arts and Culture