^
+ Follow AMBURAYAN Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 85778
                    [Title] => Lamarroza’s Landscapes: Beyond the pastoral
                    [Summary] => In his most recent works, Prudencio Lamarroza returns to familiar grounds beloved of the old romantics. They still abound, who rhapsodized on what Arnold Hauser referred to as "an autonomous world, the picture of an unreal, ideal existence," and who thus "painted the poetry of the sacred grove," and beloved as well of the naturalists, who chose to paint "the prose of rural life – the clearing with the grazing cattle, the river with the ferry, the field with the hayrick." 

[DatePublished] => 2001-05-13 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1193289 [AuthorName] => by Edgar B. Maranan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
AMBURAYAN
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 85778
                    [Title] => Lamarroza’s Landscapes: Beyond the pastoral
                    [Summary] => In his most recent works, Prudencio Lamarroza returns to familiar grounds beloved of the old romantics. They still abound, who rhapsodized on what Arnold Hauser referred to as "an autonomous world, the picture of an unreal, ideal existence," and who thus "painted the poetry of the sacred grove," and beloved as well of the naturalists, who chose to paint "the prose of rural life – the clearing with the grazing cattle, the river with the ferry, the field with the hayrick." 

[DatePublished] => 2001-05-13 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1193289 [AuthorName] => by Edgar B. Maranan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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