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 I have a love-hate reationship with my credit cards.   I love using them. I loathe paying for them. In fact, I have grown quite adept at emulating my yaya’s whiny, high-pitched voice every time the credit card representatives ring up my house, “Wala po si ser, nagtratrabaho po para bayaran yung credit card niya (My boss isn’t here, he’s working hard to pay for this credit card bills).” I

[DatePublished] => 2010-05-30 00:00:00 [ColumnID] => 135287 [Focus] => 0 [AuthorID] => 1702540 [AuthorName] => RJ Ledesma [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [1] => Array ( [ArticleID] => 211933 [Title] => Going acoustic with Jason Mraz [Summary] => In the ’60s, there were folkhouses where singers perched on a stool, strummed their guitars and then sang like Bob Dylan, Joan Baez, the Byrds or Peter, Paul & Mary. The shows they put up were called acoustic. These then gave way to booming disco sounds in the ’70s. Then the sounds were once more pared down to New Wave basics in the ’80s and then remained in eclectic pop limbo throughout the ’90’s. Madonna? Acoustic! [DatePublished] => 2003-06-30 00:00:00 [ColumnID] => 135672 [Focus] => 0 [AuthorID] => 1804842 [AuthorName] => Baby A. Gil [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
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 I have a love-hate reationship with my credit cards.   I love using them. I loathe paying for them. In fact, I have grown quite adept at emulating my yaya’s whiny, high-pitched voice every time the credit card representatives ring up my house, “Wala po si ser, nagtratrabaho po para bayaran yung credit card niya (My boss isn’t here, he’s working hard to pay for this credit card bills).” I

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abtest
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