Songs in the key of life

Who would want to read a review of a songbook? Normally, you would browse its contents, such as that of a Jingle magazine, and return it to the shelf if it did not contain Meteor Rain, even if it included the theme songs from all of FPJ’s movies. Furthermore, this songbook does not even have stories that will make you stay up all night, like those of Robert Ludlum or Stephen King, or stories about the country’s mounting debt. As for me, it is enough that people become aware of this remarkable book.

My friend once said that guitar players have lots of women (in Tagalog, ma-chicks), that women go after them (again, in Tagalog, habulin ng mga chicks). After 25 years of playing the instrument, I realized I was not good at it.

I am what you might call tone-deaf. In fact, if you used my guitar, you would say it is tuned differently. It is like having "two left ears." Once, in college, I auditioned in our organization’s choir to go caroling. I sang Adeste Fidelis, but our conductor did not recognize my song. I almost shouted at him, "It was O Come All Ye Faithful, only in Latin!" Since I was then the president of the org he didn’t have any choice but to include me.

There was also a time when I felt bored opening a songbook, plucking the chords, and singing in my mind. That was when I decided to let my guitar sing for me. Classical guitar was the most logical option.

Being lazy, I did not enroll in a class, lest I had to practice every day. Luckily, I found the book The Complete Guitar Player Classical Book, which taught me how to read notes and play classical guitar. Thus, I was self-taught, which explains why after ten years of studying I am still a beginner. After finishing the book and going through the very short exercises, I was ready to move on and play complete songs. However, there were no music sheets for the classical guitar. All I’ve seen are for the piano. How many times have I opened a Hanon, hoping that it was transcribed for the guitar? When will Digna Agra Roxas and Priscilla Halili Enriquez arrange songs for the instrument? It was so frustrating, like trying to find a worthy person to vote for in next year’s presidential election.

When I am in the States (no, I am not in the government, just an airline employee) I would go to the music stores and look for scores for the classical guitar. Yes, I would find some, but they are all, literally, classical pieces. Authors include Fernando Sor, Mauro Giuliani, and Ferdinando Carulli. True, there were some for beginners, but how could I play them in our department’s Christmas program?

With so many controversial "Jose’s" this particular Jose is heaven-sent, just like Sen. Ping Lacson finding a witness to the Pidal account, and his name is not Mahusay. Maestro Valdez’s arrangements to popular songs, from the very simplified to the more challenging, helped me to enjoy playing the standards, classical-style. I would play during lunch breaks, not because everybody else is in the canteen and no one would hear me, but because it is my way of relaxing after a stressful morning. Imagine, upon arrival in the office, I’d retrieve my voice mail, which will tell me I have 15 new voice messages. Or retrieve my e-mail and get 30 new ones, more than half offer how to get credit cards, how to get thin, or even how to find a date within the area, and these offers are good only in the US.

Every song that I play puts a big smile on my face. I get a high each time I finish a piece. But, most of all, I help my officemates get their noontime nap.

The first piece in the book is Can’t Help Falling In Love. So, if your crush is an F4 fan, here is a song you can play to her (or him). This is followed by Here, There, and Everywhere, Killing Me Softly, Moon River, and Smoke Gets In Your Eyes. The last one I played in our Christmas program, dedicating the song to those who would barbecue during the holidays. I would have played Moon River, but I feared someone might get up to the stage, take the microphone and sing. He would then request My Way, which I didn’t know.

The book then continued with Unchained Melody, and As Time Goes By. Maestro Valdez arranged these first seven pieces for beginners. They are so simple I can play them. There are tablature diagrams to help those who do not read notes. Only beginners read these, and since I’m more advanced, I don’t need the diagrams; I’d rather read the notes. (To be honest, I follow the tablature, not the notes. But, then, who’ll notice?)

The next four songs are still simplified arrangements, but more challenging for beginners. These are Song For Ana, Somewhere in Time, A Time for Us, and Manha de Carnaval. These are followed by four arrangements that will keep me busy learning them for a year. Well, a year might be too long. Perhaps, less than that... like, eleven and a half months. The four are Aubrey, What Matters Most, Michelle and Misty. Although these are very challenging pieces, learning and playing them would be a great accomplishment for me. And with those romantic songs, who knows, someday I may be asked by someone to serenade his sweetheart. That would be extra income.

As you can see, the choice of the songs was very well thought of. If I played them to my wife, she would fall in love with me again, erasing all the blunders I made, like the time I forgot her birthday, which happens to fall on the same day as our wedding anniversary. I also hoped that playing them to my children would make them appreciate the type of music I listen to. I wished my first child to be a concert pianist and the second a ballerina. Last night, my younger daughter told me she wanted to be a rock star.

The arrangements, although simplified, are very satisfying to play and listen to. As written in the introduction by Vincent Abellar, "In spite of the simplification, however, the pieces sound complete and are rich in harmony."

I am inviting all of you to buy this book, not only because it is patriotic, but also because it would encourage the publisher to issue similar books. In fact, there are already two other songbooks published, with arrangements made by Maestro Valdez: Volume 2 of this book, and The Philippine Guitar, another wonderful tome, worth every centavo, which I’d make a review if this one doesn’t get printed. There are future publications: Favorite Christmas Carols for Classical Guitar, which, I hope, comes this December; Inspirational/Religious Songs for Classical Guitar, which, I hope, would come out this Friday; and Favorite Piano Solos for Classical Guitar, which, I hope, would come out. There are other books with arrangements for the classical guitar, wherein Maestro Valdez is not the arranger. I invite you to buy them as well.

With a vast array of pieces to learn from, we, beginners, could have an expanded repertoire, enabling us to achieve the level we aspire for...intermediate.

And that is no joke.