You can identify a Perreti by its constant themes hearts, snake earrings, gold flasks or a free-form curved cuff. Every accessory is a study in form. Every year, her themes evolve into different interpretations. Despite these changes, these accessories remain simple and their designs retain their fluidity.
The designs are so beautiful that I couldnt help but go to Tiffanys in San Francisco if only to look at the pieces. Its fun looking at these dainty jewelry that look more enticing on the shelf than when theyre on me.
Her golden rule? Any object that is completed on her work table is an object of art.
For Elsa Perreti, lines and forms are timeless. She sees what no one else can see. With a very personal approach to her creations, she ends up with Perreti sculptural pieces.
She wrote, "The flower vase I unearthed in a junk shop drove me to design, for Giorgio di Sant Angelo, something in which to carry the flower, in which to keep it alive. Of all the bottles I fashioned, the first was the most magical." Josine Elizalde has a tiny gold one she wore on her neck in the 70s.
My children Josephine and Mai have inexpensive tear necklaces and earrings in varying sizes.
She adds, "I kept the object with me for many years. The expertise of excellent craftsmen, and my will, bought the snake to life in silver and gold." The said long, dangling earrings are very feminine.
It was while working in San Marti Vell that Elsa came across a lot of scorpions. "The animals are incredibly attractive with fascinating mechanics. Strangely, they are never around when I need to review something in my design." By the way, Chingbee Kalaw Cuenca has a scorpion pin.
Whether you invest in small or big jewelry pieces, remember to pick the simple ones for, more often than not, these are the ones that last.