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The legacy of slim’s | Philstar.com
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Fashion and Beauty

The legacy of slim’s

Anna Martelino - The Philippine Star
The legacy of slimâs
Embroidered jusi terno created for first daughter Linda Garcia Campos in 1957
Neal Oshima

Mallgoers will have the rare opportunity to view the visionary work of National Artist Salvacion Lim “Slim” Higgins at the Upper Ground Level Atrium of SM Aura Premier from Sept. 5 to 14. The exhibition, “Salvacion Lim Higgins: National Artist for Design,” celebrates the preeminent designer’s creative genius that has revolutionized — and continues to influence — Philippine fashion.

“Observing her at work while I was growing up is what made me realize that fashion is actually both an art and a craft,” says her son, artist Mark Lewis Higgins, who curates the show. “The art lies in the vision and the craft is in the application. The art is in the dream; the craft is in making it real.  She would create these masterful confections of her imagination that would either defy gravity or succumb to it.”

In June 2022, Slim was honored as a National Artist in the Design category. The Order of National Artists Award is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts and letters. She is the only Filipino designer with gowns in the archives of both the Smithsonian Institution in Washington D.C. and in the Victoria & Albert Museum in London.

Created for Dolores Arguelles Panlilio for a Mancommunidad Pampagueña Ball in 1952: Rayon satin and gazar terno with a fishtail train
Neal Oshima

Exhibition visitors can look forward to a stunning selection of dresses and photos from a career spanning more than four decades. These are exquisite gowns and ternos worn by the fashion icons of their time: Edith Nakpil Rabat, Chona Recto Kasten, Lily de las Alas Padilla, and Diana Jean Lopez in breathtaking black-and-white photographs. Higgins describes these as “dresses in marvelous states of suspended animation, or others where she manifested her organic, fluid draping of fabric cascading sinuously over the body.”

Created for Adelaida Salcedo Gomez for a Mancommunidad Pampagueña Ball in 1952: Rayon gazar terno with gazar and velvet appliqués
Neal Oshima

The exhibition, which also includes her timeless gowns and dresses, showcases Slim’s enduring signature style: intriguing silhouettes, groundbreaking design, and exquisite technique. “In creating a garment, she would apply two elements to her process: architecture and sculpture,” adds Higgins. “The architecture would surface in the building of the form — the scaffolding, construction and engineering that would support this masterpiece. Always thinking in three dimensions, her final touch would be molding and manipulating the fabric onto the human form, transforming the wearer into an elegant human sculpture.”

Salvacion Lim Higgins was born in Legaspi, Albay, in 1920. She studied Fine Arts in the University of Santo Tomas under National Artist Carlos “Botong” Francisco, but never finished her studies due to the outbreak of WWII. In 1947 she opened the Slim’s atelier, and in 1960 founded Slim’s Fashion & Arts School with her sister Purificacion Lim, which is today headed by Mark Higgins as director.

As the oldest fashion institution in the country, it has mentored tens of thousands of designers all over the Philippines. Alumni include fashion luminaries Oskar Peralta, Joe Salazar, Cesar Gaupo, Oliver Tolentino, Albert Andrada, Joey Samson, Martin Bautista and Michael Cinco.

SM and the Slim’s Fashion & Arts School have had many exciting collaborations over the years, notably in exhibitions of the works of graduating students that were held in premier SM Malls.

“Salvacion Lim Higgins: National Artist for Design” is one of the exciting fashion events at SM Aura Premier.

FASHION

LEGACY

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