Their new album Blush features more of the same. Hard-driving rock alternates with wistful ballads softened by the dreamy lyrics and vocals by Aia de Leon, Imago head poet and lead vocalist. Aias sound and sensibility is what makes Imago different. This is Pinoy rock but of the frothy, romantic sort. The music playing by Tim Cacho on guitars, Myrene Academia on bass, Zach Lucero on drums is generally competent but it is Aias feminine touch that enables a band like Imago to get away with an album title like Blush.
The first single release is the catchy Taralets. Some listeners out of touch with the times might ask, what on earth does Taralets mean? I believe that the word is a clever combination of two words. One is the Tagalog colloquial for lets go, or tera na. The other one, lets comes from basically the same source, lets go. So while people from a generation or two ago would have said, tera na or lets go, by way of invitation, the kids these days are saying taralets, sama ka na.
The song has grown into Imagos most popular single to date and should bode well for the other cuts it created for Blush. I believe that the more infectious Closer would make a very good next single, while Last Dance and Lights Out bring a hint of sensuality into Aias wholesome delivery. The other songs included are Zelo, Lula, Sundo, Under Repair, Highway, Walang Mysterio, So Be It and S.R.O.
Take note that aside from Doobidoo by Kamikazee, the videos of Yakap sa Dilim by Orange & Lemons and Batang-bata Ka Pa by Sugarfree also come from cuts in the Kami nAPO Muna album. This hit-powered collection turned 2006 into another great year in the three-decade career of the Apo. Imago is of course among the participants in the project. The band performs Louie Ocampos Ewan, which was one of the Apos early hits.
Incidentally, a cleverly packaged special two-CD edition of Kami nAPO Muna is now available. It features the tribute album side by side with a compilation of the Apos original recordings. Think you can now compare the work of Jim, Danny and Buboy with the new covers? Try, if you want to, but this is another case where verdicts of good or better turn instead to the simply odious.
All I can say is that two things happened after listening to these songs. One is that it made me appreciate the music of the Apo more. These guys are really good, despite occasional grammatical lapses like magkasunduan in Nakapagtataka. The other is that I came to truly admire how talented our new bands today are. No inept garage groupings here. What we have instead are creative musicians who can take any song and turn it into their own.