Patronized by Cebu and Manila society dauphines, glossy magazine editors and anyone else with a streak for style, Ray Kuan is this fashion moment's enfante terrible. "I have a strong affinity to things that are rich, heavy with high drama and making a statement. And most of all, I like to put chaos in order and vice-versa!" bravely pronounced the artist. Thus, his recent collection is aptly lauded as chaotic harmony. A Fortuny pleated bodice dress, complete with lady-like bows, has transparent jersey sleeves ripped to various stages of decay. A dress that model Melanie Ediza just couldn't resist! She wore it with aplomb during the above-mentioned book launch. A contemporary looking satin wedding dress, beaded and corseted, has, at close range, a precariously draped and twisted neckline in stretch jersey. His take on the Edwardian era by unveiling a rich brocade Thai silk gown with leg of mutton sleeves but inverted, showing the seams out complete with a cameo. Another take is a translucent frosted gazaar blouse with high collar that featured waves of ruffles, ripped and frayed to perfection.
"I think there is a trend away from colder, minimalist and contemporary clothes to something that is a little bit plush, warm and eclectic enough to be a conversation piece," quipped Ray Kuan. In the end, anyone can do a collection. Ray Kuan's distinctive brand of couture, however, requires a more irreverent touch. It is as much about what is omitted as what is included. After all, in this stylemeister's world, there is order in chaos and vice versa.